|
Laird Hunt & Oliver Rohe
MIS/TRANSLATION |
The Vacant Lot (an excerpt) The pretty vaulting sea refused to drown me. I am aware that I have been reliving the same day for months. I arrive at dawn at my ruined former place of work and don’t leave again until very late at night. This regularity which I know is bleak and pointless is one of the rare connections I maintain with my former life. I don’t see why/how I could be rid of it. There is almost nothing left besides this itinerary and I am no longer very ambitious. How long will I hold out—and what did that awful lady in black want from me? The hammering. The sun. Right now the room is partially cross-hatched with sunbeams and a few cables away from the building, behind a gas station that has been abandoned for years, sledgehammers—how many of them? three? four? how many?—smash loudly into the asphalt. The din from below has begun to climb as high as my window. Hostile ivy. No doubt they think it’s time I left. Time I empty the place out and bury myself somewhere. Who was the young man whose photo she was holding? Why does she hold it out to me every morning? I no longer count the number of cigarettes I’ve smoked since I got here. I just hear my lungs whistle. I won’t last much longer at any rate. My poor parents had no idea what was going on. They were content to receive. By the thousands. At least that’s what I think. When late at night I go home to their house, in that run down part of the western suburb, which during that period served as a provisional refuge for hundreds of families in flight, whose continuous wandering most often ended in the belly of some ditch, anonymously, in white sheets, one on top of the other, I tell myself that I’m the last one who persists in not dying. Nevertheless I do my best. No: nevertheless they do their best. Around my window all these buildings under construction resemble horrible doll houses, something like an alignment of concrete grimaces, while in my neighborhood in the Western suburb, that gummed up, disgusting garbage chute where these days a population of old folks without offspring is piling up, old folks who spend their days contemplating the disaster from their balconies, the buildings are gray and unfinished and silent. In my neighborhood the elderly have not spoken in a long time they’ve already said what needs to be said. At nightfall and without having uttered a single word during the day they leave their balconies, slip on their striped pajamas and get in bed to wait for the next dusk. They wait in silence and their resignation is pure, guileless. Why am I incapable of such resignation? Cloistered in their garbage chute my parents don’t even know who Mahler is I never listen to him in the house. Outside these yellow walls—where in the shadow of the wild vegetation, I take note each day, dark and rampant forms pullulate—Mahler has absolutely no meaning. In the entire city no one listens to Mahler the way I hear him. They can’t know what he conceals. Or deny it. Nonetheless I know nothing about great music. But I’m going soon I’m already bleeding from my chin. Who does this doll belong to this horrible red doll on the floor? Instead of insisting on asking myself this every day I should no doubt get rid of it. No longer stupidly go on and on asking myself the question. Stop wasting time. It doesn’t help a bit. Once and for all: take it by the hair and toss it out the window. Take it then toss it. The window. Without hesitation. Right up my alley. More and more I fear the moment when the sun will invade the entire room, the moment when the swarming below, so intense and awful in the middle of the afternoon, swamps me with its unstoppable swelling. But I have nowhere to go. Now that I’m no more than a kind of cumbersome vestige, a scandalous remnant, they seek by all accounts to precipitate my death—but subtly
I’m in my room in my penumbra and can’t help missing all those years when we were kings. There were several of us who survived—who blossomed even—in a sick world. We left at nightfall on rounds that often didn’t end until dawn, amid the ruins and under uninterrupted downpours, picking up random passersby in our beat up cars. At that time, I was 19 20 years old I had a life. Faces paraded before me offered themselves to me. Exceptional postures and expressions. Listening to Mahler on top of it. What’s become of the memory once so precise so pregnant of those faces? We roared through the labyrinth of a city without lights, around and around to quickly make ourselves dizzy, us and our random passengers. Our work nights never ended until day break when we would peacefully cruise along the coast before giving in to sleep. No one spoke everyone or almost everyone took pleasure in the silence. Who remembers us today? Our rounds, our passengers? Then I was king and now I’m no more than a ghost. I pass haggardly through trenches at the periphery of agitation and take refuge in a penumbra that is menaced from all sides. The former world persists only in my head my memories my remains. From my window I see workers running on scaffoldings. They are erecting higher and higher barricades around me. I’m no dupe: soon, in a few weeks, in a few days maybe, I will no longer be able to see the water. From time to time I hear their heals ringing off the metal planking. They are foreigners immigrants I can’t understand a word of their language. They recruit them from the four corners of the world to engender my demise. Do they think that I am so many that they now need to come at me in numbers. If only I could get used to it like everyone else. Take delight in all these changes. Abandon my pitiable remains and stop holing up in this room. Pretend or why not persuade myself that all is well. That I’m not lost. That I’m no longer afraid. No more trembling leg tics. Say to myself: all is new and superb let’s go I’ll start over. Say to myself: I dare you. But I can’t do it, something prevents me and I can’t do it. I’m lying. In reality I don’t even try; I simply don’t have the strength to get up again.
At the beginning of the evening, when the signal to start the night’s festivities echoes throughout the city, I can see them flapping their fat mouths in the traffic jams. There are no exceptions. They race after whatever’s new and pile up massively
|
||
TOP |