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Alyce Lomax
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Handwriting
It
was after the fifteenth wedding she had attended in her lifetime, in the autumn
of her thirtieth year, that she began wondering if her left hand was beginning
to wither away. It
happened while she was on the subway, holding on for dear life to one of those
"Oh, Jesus" poles, as in, you know, "Oh, Jesus, I'm about to
fall over," when it's standing room only and the train operator hits the
brakes. One of her many
subway diversions was to glance at the left hands of strangers. After a while,
it became almost compulsive. Thinking, in the deconstructed approach consistent
with early morning, "Ugly. Why?" and, in the more detailed, slightly
more alert analysis late in the evening, "My God, he is dull and
unattractive. That face would crack if it laughed. Someone walked down the
aisle with you?" Cruel,
maybe, and so perhaps she deserved her accidental observation that day, as she
glanced at her own left hand and realized it looked different from her right.
Drying, struggling to regain usefulness without its proper place; wrinkling,
old-maidish, and lined like a map? It
wasn’t long before she made the connection between her own left hand the
showcase for the married and the fact that the ring finger on that hand was
so brazenly bare, stubbornly naked. She
found it so very ugly, suddenly. People had always said she had beautiful
hands. For playing the piano, for example, something else she had never learned
to do. Or, as many observed, "Oh, you're a writer, that's perfect." Like
it takes long, beautiful hands to write long hand, to caress the keys in just
the right way to make them sing about oh, the humanity. Like there's some genetic predilection to being a
writer, which all boils down to a set of lovely hands, something that is meant
to be. Many had remarked
that her hands were made for rings, with their pale, long, slender fingers. And
she possessed plenty of rings. Puzzle rings and poison rings, thumb rings and
pinkie rings. Sparkling diamonds, rubies and emeralds, but they all rang of an
emptiness somehow. Not
one of her rings had any claim on her. They could mean many things, fun,
perhaps, love -- love from her parents, maybe even love for herself, emblematic
of her own vanity. She was loved, she could be pretty and adorned, maybe even
adored, and she was alone. She
usually forgot to wear them, quite frankly. They all sat in a drawer. Like
memories of old lovers, dusted off sometimes. Nice to have around, but in her
absent-minded way, she generally forgot all about them in the morning. Her
hands shouted out, naked, that she belonged to no one. It
wasn't as if her life had lacked love. She had loved many, she had even been in
love once, twice, three times. A lady? No, she took what she wanted, on some
sort of search and destroy mission approach to romance. Times have changed was what she was all about, as she became huntress
for the perfect man. This usually seemed to translate into dreams that
culminated in men whose imperfections were very nearly sublime. Pointed,
aggressive, You, I want you. It usually
didn’t last for long, though, that wanting part. On the one hand, she would
engage in the gigantic, adrenaline-laced flush of the chase. It wouldn't take
long for the masks to drop, and then each great man would fall like some huge
oak, the crash of machismo and swagger and some "how can you resist
me" attitude, when she was already over it. She created these men with her
exuberant infatuation, then she would climb back out of the commitment, snap
out of the smoke and mirrors dreamland of her own making, and feel that she had
escaped some great, deep, sucking black hole. It was as if she would make that
desperate escape, then, when it was all over, wipe her brow and gasp, "Whew!
That was close!" On
the other hand (and that would be the lonely left hand, of course), the ones
she truly loved always ran away and just kept on running. They never completely
left though, running to the outskirts of her life, around and around, and
forever remaining on the cusp of her mind, like those people who don’t quite
fit into the wheel of astrology due to some fluke of birth and timing. They
never quite fit anywhere delegated to normal people, but they are there, just
the same, perhaps more important, more interesting, because they occupy some
strange and unexpected place, all about always and never. There
was one in particular; isn't there always? Soulmates, they drove each other
absolutely insane. Soulmates, they were made for each other by birthdays, at
least if you go by the book so how could they piss each other off so much?
They could agree on nothing, least of all who they were -- neither who they
were together nor who they were apart. Are
you two brother and sister? It was a common
question for strangers to ask, whenever they were together. No,
but maybe in some other life. But
you look alike. We
know. He
was there, starring in her dream, when their names were something else, and
they were blonde, and it was the long-ago past. The thing that was obvious was
that one of them hurt the other very badly, because in this life, it was just
manifest destiny, dusted before it began. Those
recurring dreams never told her what happened at the end, but she had a pretty
good guess how it went. And he never told her what his dreams said to him, what
they meant, who they searched for. Give
me your hand, he said. The other
one, I mean. There's something wrong with "now." The
eyes have it, sparkling into her. Lost, but not forgotten. He constructs strong
walls, the kind she could have built a life with, if they weren't meant to keep
her out. She smiles at the fortress, as it was built for her, in memorial to
the enemy. It doesn’t matter. Falling in love isn’t always as easy as some
people believe. It’s not always all about getting married, sometimes it's
everything and anything but that. With some of us, marriage might be the path
where you are less loved. That's because you realize that you can’t force it to
work, you can’t make it stay. And
there’s a tragedy: you find him, he's perfect for your heart, but he isn’t
really quite there. He's totally somewhere else. He's definitely your
right-hand man, and isn't that lovely, but he's not in love. And
so, she found herself nearly convinced her left hand was withering away, and
completely useless. Most far gone, the finger reserved for The Ring, of course.
So much for that
sparkling, unworded boast, "Someone wants me. Someone treasures me.
Someone owns me, loves me and chose me over every-fucking-body else." She thought about
that empty display, that wasted energy, feared it was paralyzed and impotent,
wondering, "There it is. Hide it, it's ugly. What the hell do I use it for?" Then
she remembered, and it was the simplest thing: the keys, to her existence, as a
matter of fact. The ring finger on
her left hand is for the w, for the x, and most importantly, for the s. It's strong in
that way. Because without it, how would she get "sex," or
"existential," or the beauty of winter? Dear God, how would she ever
get "sassy," or "wicked," or "wanton"? And where would
any of us be without the wail of the saxophone, the waxing of the moon? What it all boiled down to was the written word. |
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